Friday, April 6, 2018 • 7:30pm
Sunday, April 8, 2018 • 2:30pm
Performed at The Egyptian Theatre
“Made in the USA”
Music: André Previn
Libretto: Philip Littell
Premiere: September 19, 1995, San Francisco Opera
Adapted from Tennessee Williams’s Pulitzer Prize-winning 1947 play of the same name.
Blanche DuBois • Soprano Julie Adams
Stanley Kowalski • Baritone Gregory Gerbrandt
Stella Kowalski • TBA
Harold “Mitch” Mitchell • TBA
Eunice Hubbel • TBA
Steve Hubbel • TBA
A Young Collector • TBA
Mexican Woman • TBA
The Doctor • TBA
The Nurse • TBA
Pablo Gonzales • TBA
Conductor • Alasdair Neale
Director • Walker Lewis
Streetcar: From Play to Movie to Opera
by General Director Mark Junkert
Thursday, March 22, 2018, 6:00pm – 7:30pm
The Community Library, 415 Spruce Ave, Ketchum, ID 83340
Opera Idaho General Director Mark Junkert will follow Tennessee Williams’ 1947 Pulitzer Prize-winning play, A Streetcar Named Desire, as it becomes a movie in 1951 and then in 1995 an opera by Andre Previn, which Opera Idaho will perform in Boise on April 6 and 8 at the Egyptian Theater.
Sunday, March 25, 2018, 1:00pm – 2:00pm
Barnes & Noble, 1315 N Milwaukee St, Boise, ID 83704
This second lecture will take place on the first day of the Opera Idaho Bookfair at Barnes & Noble. On this day and the 5 days following, mention Opera Idaho at checkout when you purchase items from Barnes & Noble including food and beverages at the Cafe and Opera Idaho will receive a percentage of the sale!
PLACE: the home of Stanley and Stella Kowalski at Elysian Fields, New Orleans.
Act I, Scene 1
Blanche DuBois has suffered the loss of both her ancestral home and her job when she arrives in New Orleans to visit her sister Stella, who has married Stanley Kowalski, an ex-G.I. trucker.
Scene 2 a few days later
Stanley, infuriated by Blanche’s artificial airs, her suggestive behavior, and what he regards as her loss of his wife’s birthright, is determined to expose Blanche’s lies about her past-which is more tragic and sordid than he is able to imagine.
Scene 3 that night
During a poker game Blanche meets Harold Mitchell (Mitch), a workmate of Stanley’s, very much tied to his mother’s apron strings. Blanche sets her sights on him. Stanley, drunk, breaks up the evening and strikes Stella, whom he regards as siding against him with Blanche. After this violence, and against Blanche’s advice, Stella returns to Stanley’s bed. The next morning Stanley overhears Blanche entreating her sister to leave him.
Act II, Scene 1 some weeks later
Stanley tells Stella that he has a friend who is making inquiries about Blanche in her hometown of Laurel. When he and his now-pregnant wife go out for the evening, Blanche attempts to seduce a young paper boy, pulling back at the last minute. She later goes out with Mitch on a date.
Scene 2 that night
An amorous Mitch unburdens his heart to Blanche, who in turn tells him of her brief marriage to a young homosexual and how she blames herself for his suicide.
Act III, Scene 1 some weeks later, Blanche’s birthday
Mitch is late for the party. Stanley, who feels that his home and marriage are both threatened by Blanche, breaks up the celebration when he reveals that his friend has discovered Blanche’s unsavory reputation in Laurel for seducing young men, and the fact that she had been told to leave town. He hands Blanche a one-way ticket back home and tells her that Mitch now knows everything and will not be coming around again. Thus begins the fragmentation of Blanche’s mind.
Scene 2 later that night
Stella has been taken to a hospital for a premature delivery. Mitch, drunk, invades the apartment and bitterly reproaches Blanche: just as her desperate hopes lie with him, his had lain with her. They have both lost their emotional refuge. His denunciation of her as someone too unclean to enter his mother’s house and the appearance of a Mexican woman selling flowers for the dead are the triggers that start to unhinge Blanche’s mind.
Scene 3 later
Blanche’s fragmentation is completed when Stanley rapes her.
Scene 4 some days later
Blanche prepares to leave for a visit to a fictitious old admirer. In fact Stella, unable to believe in Blanche’s accusations against Stanley, is packing Blanche’s clothes for her to take to the asylum when the doctor arrives. Now she depends — in a new way — on “the kindness of strangers.”